Adam Cullen 'Paddock of Love' mid century modernism

Adam Cullen 'Paddock of Love' mid century modernismAdam Cullen merges social satire with technicolour excess. An enfant terrible of the art world, he launched onto the Australian art scene by chaining a pigs head to his ankle for two weeks. This punk stunt was followed by a career spent painting tough, uncompromising and challenging subjects, captured with a pop art twist. In his original etchings, Cullen further develops his satirical edge. These works can be raw and confronting, crossing themes

linocut reproduction on adhesive label

Comes with string and D-rings ready to hang

Macnab’s classes were taught from his own house

‘Hippobottomi’ is a museum-quality work

‘Felix’ is an etching on paper

Helen KENNEDY (1967 - )

It will illuminate collectors of Blackman and mid-century art

another caterpillar in a basket recalls rock-a-by-baby

King evokes the feeling of place

These depictions of Hollywood and popular culture scenes are powerful in their iconic presence

In 1966 he participated in the Venice Biennale

Pin holes in margins on both top corners